《歌唱家》是一部突破类型界限的电影，改编自伊万·屠格涅夫19世纪的短篇小说。故事讲述了一群生活潦倒的男人在一家简陋的酒馆里，通过一场即兴的歌唱比赛，意外地建立起联系。影片探讨了男性气质的复杂性以及艺术所蕴含的脆弱力量。

　　《黑色党徒》根据2014年罗恩·斯塔尔沃斯所著的自传改编，讲述了一名科罗拉多州的黑人警察，成功潜入当地的3K党组织做卧底的故事。

　　FBI探员马刚（马丁·劳伦斯 Martin Lawrence 饰）最近很高兴地得知自己的继子特伦特（布兰登·T·杰克逊 Brandon T. Jackson 饰）刚刚被杜克大学录取。然而特伦特却对升学毫无兴趣，只想签一份唱片合同，未成年的他唯有求助于马刚。马刚当然不同意，况且他正忙着一个重要案件，为了追踪一名俄黑帮成员，马刚的一名线人在任务中牺牲，储存有重要信息的内存驱动器也下落不明，唯一的线索是驱动器的一个副本被藏在乔治亚州女子艺术学校。而另一边，不愿放弃的特伦特决定在马刚执行任务途中继续争取他签下合同。然而一次突发事件让他们的身份暴露，马刚只好又使出了他的拿手好戏，再次伪装成雪莉的祖母，还把特伦特伪装成了自己的大侄女。至此，一场笑料百出又紧张刺激的卧底好戏上演了……
　　本片为美国犯罪喜剧电影《卧底肥妈》续集。

　　佩姬（莫莉·香侬 Molly Shannon 饰）自认为自己过着幸福的生活，她有一份稳定的工作，有一个温暖的家庭，更重要的是，她还拥有一只可爱的小狗。佩姬非常喜欢自己的小狗，他们一起生活已经很久了，人狗之间早已经产生了跨越了物种的依赖和信赖，可是某一天，小狗离奇死在了邻居家的花园之中。
　　爱犬的死让佩姬的生活彻底分崩离析，她陷入了强烈的自我怀疑之中无法自拔。为了修复内心的伤痕，她决定踏上一个人的旅途，并因此结识了名叫纽特（彼得·萨斯加德 Peter Sarsgaard 饰）的男人。在纽特的介绍之下，佩姬加入了一个激进的动物保护协会中，在这里，她似乎找到了人生的位置。可是，佩姬的种种变化，在她的亲人眼中，却释放出了危险的信号。

　　青年警官尼克·克鲁兹（瑞安·雷诺兹 Ryan Reynolds 饰）思索再三，不愿和搭档巴比·海耶斯（凯文·贝肯 Kevin Bacon 饰）私吞毒贩的赃物黄金，结果在一次行动中被对方趁乱杀害。死后的尼克来到另一个世界，并受雇于冥界警局（R.I.P.D），其主要任务就是 追捕那些不愿接受死后审判而依靠伪装盘桓人间的死鬼。他的搭档是死于19世纪末的老头罗伊·鲍威尔（杰夫·布里吉斯 Jeff Bridges 饰）。罗伊作风粗犷，特立独行，这两个性格与风格上有着巨大差异的搭档跌跌撞撞展开行动。尼克在行动中发现死鬼们和海耶斯有着千丝万缕的关系，而在种种谜团背后隐藏着攸关世界命运的大阴谋。
　　时间紧迫，尼克和罗伊必须尽最大可能阻止那个通天阴谋……

　　Nora Ephron's autobiographical novel chronicling the breakup of her marriage to investigative journalist Carl Bernstein (ALL THE PRESIDENT'S MEN) is adapted for the big screen by director Mike Nichols and solidly acted by Meryl Streep and Jack Nicholson. Rachel Samstat (Streep) is Ephron's stand-in, a New York food writer who falls for and marries Washington political columnist Mark Forman (Nicholson) despite her initial misgivings. And it isn't long before a second pregnancy, separate homes, and the return of Mark's womanizing places a strain on the marriage that results in a bitter divorce and inspires Rachel's cynical musings on the nature of love, sex, and relationships.

　　A teenage boy lives with his single mum in a flat in South London. Into the flat below moves an anti-social, former Rock God who faked his death 8 years ago. The teenage boy works out who the mysterious neighbour is and blackmails him into teaching him the dark arts of Rock Guitar.

　　范是家族的长子，但是他的长相平平，身材矮小，父亲经常不拿范当回事。一次范的女儿玛丽科打电话回来，告诉母亲苏斯自己准备结婚了。她的丈夫乔治是一个英国人，这让母亲犯了难。原来范的父亲十分讨厌英国人，所以当他得知了这个消息后立刻向范做出指示，要求范阻止这场婚礼。但是这个要求遭到了范的拒绝，因为范不知道这样女儿会不会幸福。几天后玛丽科带着乔治回到了家，范处处刁难乔治，但是乔治并没有很在意。相反他还觉得范很好玩，范在父亲的严厉要求下开始了他的计划。

　　汤姆惨遭公司的裁员，准备离开公司的他和一位名叫埃洛伊塞的女子双双困在了发生了故障的电梯里。之后，汤姆得知，正是由于埃洛伊塞的建议，公司才决定开除汤姆的，心中对此充满了不满的他和埃洛伊塞之间产生了争吵。
　　可或许就是这场争吵加深了汤姆和埃洛伊塞之间的了解，在被困电梯的数小时内，他们的关系从冤家变成了情人。一晃眼多年过去，如今的汤姆早已经和埃洛伊塞分手了，而埃洛伊塞亦准备与新结交的未婚夫前往法国开始新的生活。实际上，汤姆的内心里依然留存着对埃洛伊塞的爱意，或许，这是他能够挽回自己所爱的人的最后的机会了。

　　前足球运动员迈克（Warren Beatty 华伦•比提 饰）在飞往悉尼的班机上邂逅美丽的泰瑞（Annette Bening 安妮特•本宁 饰）。途中飞机遭遇险情，迫降在一座珊瑚岛上。两人携手度过此次难关，对彼此都有了深深的好感。邮轮搭载乘客前往目的地。在船上相处的日子里，迈克和泰瑞的感情日益加深，但碍于各自的婚约无法逾越。旅程结束后，两人相约各自解除婚约，3个月后在纽约大厦相会。并承诺如果一方未出现，另一方将不再打扰对方的生活。
　　3个月后，迈克如期赴约，然而泰瑞却迟迟未曾出现……

　　该片讲述的是一个小说家最终功成名就并且抱得美人归的故事。

　　Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'
　　By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.
　　Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.
　　One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.
　　While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.
　　Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...

　　Casey Affleck plays Jim, a young man who, after deciding he can't make it on his own, moves back to his hometown in Indiana -- under his parents' roof. He's saved from his family's dysfunction by a local woman and her son, who sees him as a father figure.
　　
　　讲述一个27岁的男子回家和父母一起住，当年青的吉姆(Casey Affleck演)决定自己无法独力完成后, 他回到在印第安纳的家乡小镇-- 让双亲庇护着。而当地一名妇女和她儿子解决了吉姆和家庭不和谐的关系，那个小孩更把他当成父亲般看待，想办法履行棘手的家庭责任。

　　本片为2001年在《猫狗大战》的续集。
　　故事发生在距离上一次猫咪和狗狗的大战已经过去了数年之后。来之不易的和平再一次受到威胁。这次的敌人可不是上一部中的笨蛋，它可是原猫咪间谍组织“喵”（MEOWS）的顶级特工，名为Kitty Galore。它顺利地窃取到了狗狗组织的核心机密，并且为了报复狗狗组织和人类，它设计了一个恐怖而毒辣的计划意图控制全世界！在面对这样一个迫在眉睫且前所未有的致命威胁的紧要关头，猫与狗在万不得已的情况下，只能被迫选择结成同盟——这还是这两种生物历史上的第一次，在这个由一只猫所制造的浩劫当中，它们需要拯救的不仅仅是自己，还有他们深爱着的人类。为了阻挠邪恶计划的征途，它们必须得将身体里潜藏的一切生物本能发挥到极致才行……

　　来自南太平洋萨摩亚群岛的体育记者杜克（约翰尼·德普 Johnny Depp 饰）和他的律师朋友刚佐博士（本尼西奥·德·托尔 Benicio Del Tore 饰）一起开车前往拉斯维加斯，寻找他们的“美国梦”。一路上，他们带了大量毒品和酒精，也遇到形形色色的人，药物作用下，许多迷乱和癫狂的画面出现，让他们分不清幻觉和现实，到底哪个更残破，哪个更肮脏扭曲。两个人的混沌，加上拉斯维加斯本身的纸醉金迷，“美国梦”似乎遥不可及，两个人留下垃圾场一样的五星级酒店房间，无法停止迷幻的路途……

　　Edna's father wants her to marry wealthy Count He-Ha. Charlie, Edna's true love, impersonates the Count at dinner, but the real Count shows up and Charlie is thrown out. Later on Charlie and Edna are chased by her father, The Count, and three policeman. The pursuers drive off a pier.

一个看似努力为学生改善教育环境的美国纽约州长岛公立学校负责人弗兰克·塔索纳，他是个对教育充满热忱、魅力十足的学区负责人，在他和同事帕姆·格鲁金（的带领之下，纽约罗斯林学区升学率在全美排名第四，他们的目标是成为全美第一的顶尖学区。飙升的大学录取率带动了房价与社区发展，弗兰克的贡献也声名远播。但后来他却开始挪用公款去追寻自己想要的生活，涉及金额超过1120万美元。除了校长，还有几名工作人员也参与了犯罪，他们不仅挪用公款购买私人飞机，连给宠物买狗粮都走公家账户。此外，这个弗兰克·索纳塔虽然结婚，但被怀疑是“深柜男”。

　　The Saphead is a 1920 comedy film featuring Buster Keaton. It was the actor's first starring role in a full-length feature and the film that launched his career.
　　The plot was a merging of two stories, Bronson Howard's play The Henrietta and the novel The New Henrietta by Victor Mapes and Winchell Smith, which was meant to be an adaption of Howard's play.